SPRING 2008
StudioDacs logo




  Home
  Contact Us

Inside This Issue

  An Audience with Ben Johnson

  A Virgin's Guide to Digital Rights Management

  DACS Members Charter Performance Review

  The Kowalsky Gallery at DACS

  Magnus Irvin's Recipe for Cake

Regular Features

  Let Me Introduce You...
  Gallery Talk
  On The Easel
  Ask Helen - Copyright Advice
  StudioRANT
  Dear Ed
  About DACS

Archve Issues
  Winter 2007

Sign up to receive StudioDACS

   
Studio Rant
My small squalid studio by Simon Stern

Simon SternI write this in my studio. Well, I call it a studio. In fact, like most illustrators, I work in a small, squalid room - our front room, in my case. The neighbours imagine that my presence in the front window will deter any passing burglar who may threaten this quiet suburban street. In fact a herd of migrating wildebeest could thunder past and I would probably fail to notice.

Little in the room indicates that any form of art is taking place. True, there is a drawing board (covered in disorganised papers), and an assortment of rather weirdly shaped brushes - most never used - but the rest is books, more books, endless grubby files and a lot of computer equipment with its accompanying tangle of wires.

Lurking in one corner squats a massive, grey metal box, a 'visualiser', once an essential piece of equipment in every graphic arts studio. When I bought it, it was the biggest, grandest model of it's kind.

Now it is redundant and entirely useless, but so cumbersome that, though I ought to get rid of it, I never have. God knows, I could use the space. Over the years the room seems to have shrunk as the objects in it have accumulated.

I once had a large, spacious studio. It was a mistake. We lived at the time in an immense semi-basement flat in one of the ugly, red-brick mansions that line Fitzjohns Avenue in Hampstead. Commissions were plentiful, and I often worked late into the night - sometimes all through the night - to meet a deadline. Some time later, when we met the neighbours from the first floor apartment opposite, they confided that they had often wondered what I was doing there all night, and in their family referred to me as 'The Forger'.

The flat was spacious, but lacked storage space, so the studio gradually became a repository for anything the family could not quite bear to throw away. Eventually I was working in a small corner of a rather chaotic furniture depository. So when we moved to rural Golders Green I opted for the front room. It was small, and has undeniably become squalid, but at least it's my squalor, and my room.

Simon Stern is an illustrator and is a member of DACS' Board of Directors.

Can Travel by Rosie RussonIn the next issue of StudioDACS Simon Stern hands over the reigning mantle to Rosie Russon, a freelance designer and painter who works in film, TV and theatre.



Can Travel, 2007 by Rosie Russon. © Rosie Russon 2008



 back



© DACS 2008. Design: muna